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Aliaga Lavritsen, Jessica. “Self/Other and the Ethics of Alterity in the Fiction of Brian McCabe.” Supervisor: Prof. Susana Onega. 2010.
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Arizti Martín, Bárbara. “Textuality as Striptease: The Discourses of Intimacy in David Lodge’s Changing Places and Small World.” Supervisor: Prof. Susana Onega. 2001.
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Artiga León, María Rosario. “A Contribution to the Study of Epistemic Lexical Verbs as Stance Markers in the Academic Lectures of the Michigan Corpus of Academic Spoken English.” Supervisor: Prof. Carmen Pérez-Llantada. 2008.
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Asensio Aróstegui, María del Mar. “Recurrent Structural and Thematic Traits in Jeanette Winterson’s The Passion and Sexing the Cherry.” Supervisor: Prof. Susana Onega. 2003.
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Azcona Montoliu, María del Mar. “All Together Now: The Rise of U.S. Multi- Protagonist Films in the 1990s.” Supervisor: Prof. Celestino Deleyto. 2007.
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Baelo Allué, Sonia. “Bret Easton Ellis: Blank Fiction and the Ambiguities of Popular Culture in Less Than Zero (1985), American Psycho (1991) and Glamorama (1998).” Supervisor: Prof. Francisco Collado. 2007.
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Calvo Pascual, Mónica. “History and the Text: Chaos, Madness, and Ideology in Stephen Marlowe's Narratives of Spain.” Supervisor: Prof. Francisco Collado. 2007.
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Corona Marzol, Isabel. “Genre Analysis in Action: A Multimodal Approach to Obituary Practice in Contemporary British and Spanish Quality Press. The Discourse of Published / Public Life.” Supervisor: Dr. Rosa Lorés. 2008.
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Domingo Baguer, Ignacio. “The Horror of Modernity in Dracula: From Bram Stoker’s. Novel to the Cinema.” Supervisor: Prof. Celestino Deleyto. 2001.
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Escudero Alías, María Teresa. “Redefining Gender Identity through Queer Performances: Drag Kings and Female Masculinities.” Supervisor: Dr. Constanza del Río. 2007.
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Fraile Murlanch, Isabel. “The Re/De/Construction of an Australian Identity in Janette Turner Hospital’s TheLastMagicianand Oyster.” Supervisor: Dr. Mª Dolores Herrero. 2012.
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González Vera, María Pilar. “The translation of recent digital animated movies: The case of Dream Works films Antz, Shrek and Shrek 2 and Shark Tale.” Supervisor: Dr. Ana Hornero. 2010.
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Heras Villanueva, Mª del Carmen. “Life, Works and Literary Influences in Eric Kraft’s Novels Herb ‘n Lorna, Reservations Recommended, and Little Follies.” Supervisor: Prof. Francisco Collado. 2005.
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Induráin Eraso, Carmen. “A Culture on the Move: Contemporary Representations of the U.S. in Road Movies of the Nineteen Nineties.” Supervisor: Prof. Celestino Deleyto. 2005.
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Juan Hatchard, Luis de. “Postmodernist Strategies in Alasdair Gray's Lanark.” Supervisor: Dr. José Angel García Landa. 2001.
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Lafuente Millán, Enrique. “A contribution to the interdisciplinary contrastive study of writers’ rhetorical strategies in contemporary research articles in English.” Supervisors: Prof. Ignacio Vázquez, Dr. Rosa Lorés. 2008.
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Llantada Díaz, Mª Francisca. “Form and Meaning in Dorothy Miller Richardson’s Pilgrimage: A Critical Reassessment.” Supervisor: Prof. Susana Onega. 2005.
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Loyo Gómez, Hilaria. “Star and the Politics of Viewing: Marlene Dietrich and the Socio-Historical Context.” Supervisor: Prof. Celestino Deleyto. 2001.
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Martínez Alfaro, Mª Jesús. “Narrative Strategies in Charles Palliser’s The Quincunx, The Sensationist and Betrayals.” Supervisor: Prof. Susana Onega. 2003.
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Mazana Casanova, Ángel. “Analysis of Image Schemas and other Construal in Contractual Drafting.” Supervisor: Dr. Carlos Inchaurralde Besga. 2010.
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Mur Dueñas, María Pilar. “A contribution to the study of metadiscourse in Business Management RAs in English and Spanish: a corpus-driven approach.” Supervisors: Prof. Ignacio Vázquez, Dr. Rosa Lorés. 2007.
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Murillo Ornat, Silvia. “A Contribution to the Pragmalinguistic Contrastive Study of Explicatory Reformulative Discourse Markers in Contemporary Journalistic Written English and Spanish.” Supervisor: Prof. Ignacio Vázquez. 2007.
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Neumann, Claus-Peter. “History, Narrative, and Agency in Tony Kushner’s Major Plays (Angels in America, Slavs! and Homebody/Kabul).” Supervisor: Prof. Francisco Collado. 2011.
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Oliete Aldea, Elena. “Filmic Representations of the British Raj in the 1980s: Cultural Identity, Otherness and Hybridity.” Supervisor: Dr. Chantal Cornut- Gentille D’Arcy. 2009.
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Oria Gómez, Beatriz. “Love in the Times of Sex: Intimate Discourse at the Turn of the Milliennium in Sex and the City.” Supervisor: Prof. Celestino Deleyto. 2011.
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Orna Montesinos, Concepción. “A Corpus-Based Analysis of the Lexical Profile of Textbooks for Construction and Architecture.” Supervisor: Prof. Carmen Pérez-Llantada. 2010.
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Otal Serrano, Lourdes Elena. “The Teaching of English as a Foreign Language and the Evaluation of Didactic Materials Applied to Specialised Fields in Post- Compulsory Secondary Education.” Supervisor: Dr. Carlos Inchaurralde. 2004.
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Pellicer Ortín, Silvia. “Writing and Self-healing: The Representation of Trauma in Eva Figes’ WinterJourney, KonekLanding, LittleEden, Tales of Innocence and Experience and Journey to Nowhere.” Supervisor: Prof. Susana Onega. 2012.
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Rodríguez Pazos, José Gabriel. “Contextual Mismatches in the Translation into Spanish of Ernest Hemingway's The Sun Also Rises.” Supervisor: Dr. Beatriz Penas. 2004.
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Romero Jódar, Andrés. “ The iconical Discourse Community, the Narrative Iconical Subgenres and the Trauma Graphic Novel in English.” Supervisor: Prof. Susana Onega. 2012.
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Ruiz Pardos, Manuela. “Trouble in Paradise: The Hollywood Romantic Comedy of the Fifties.” Supervisor: Prof. Celestino Deleyto. 2005.
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Tarancón de Francisco, Juan Antonio. “Identity, Genre and Society in the Cinema of John Sayles.” Supervisor: Prof. Celestino Deleyto. 2011.
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Yebra Pertusa, José María. “Identity and Intertextuality in the Novels of Alan Hollinghurst.” Supervisor: Prof. Susana Onega. 2009.
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